NOBBO.studio

Services

From an idea to the final file.

You can bring us a rough thought or a finished script. Either way you get one team through the whole thing — no handing your footage to a stranger halfway. Open any of the four below for exactly what's included.

Say who you are, once, properly. A film your team is proud to put on the homepage and send to partners — written with you, shot small, cut tight.

We start with the through-line, not the shot list. If we can't say in one sentence what the film is arguing, we're not ready to book a crew.

Typical shape: 2–4 shoot days · 2–4 weeks brief to delivery · 3 revision rounds

What's included

  • Script and storyboard, written with you
  • Direction and a small in-house crew
  • Colour grade and sound mix
  • Bangla and English cuts, both native
  • Subtitle files and platform exports
  • Cutdowns from the same footage

Made for the feed, not the festival. Vertical, fast, captioned — built so the first second earns the second second, and so it still lands with the sound off.

Best value comes from batching. One shoot day planned against a month of posts costs a fraction of six separate call-outs, and keeps the look consistent across the set.

Typical shape: 1 shoot day · 6–8 finished reels · delivered within a week

What's included

  • Hook-first edits, cut for retention
  • Burned-in captions, Bangla or English
  • 9:16, 4:5 and 1:1 exports
  • Shot list agreed before the day
  • Music cleared for commercial use
  • Scheduled delivery across the month

One shoot, a whole kit. We plan a single production day around every asset the launch needs, instead of you paying for three separate shoots once you realise what's missing.

That means agreeing the full deliverable list before the camera comes out: hero film, cutdowns, stills, and the exact platform specs each one has to hit.

Typical shape: 1–2 shoot days · 8–12 assets · staged delivery to launch date

What's included

  • Hero film, 60–90 seconds
  • Cutdowns at 30s, 15s and 6s
  • Stills set from the same setups
  • Platform variants and safe areas
  • Subtitles in both languages
  • Delivery scheduled against launch day

You shot it, we'll finish it. Send us the cards — we organise, cut, grade, mix and deliver to whatever spec your channels need.

This is also where we pick up work that stalled somewhere else. If you have footage and half an edit, we can usually salvage more of it than you expect.

Typical shape: no shoot days · first cut in 48 hours · priced per finished minute

What's included

  • Footage organisation and transcription
  • Edit to an agreed structure
  • Colour grade, shot-matched
  • Sound mix, dialogue clean-up
  • Bangla and English subtitle tracks
  • Exports to every delivery spec you need

How we price

Honest numbers.

Every project is quoted after the brief — but these are the shapes most work lands in, so you know before you call whether we're in your budget.

Starting at

Single reel

Half-day shoot, one finished vertical edit with captions. The way most people try us out.

  • 1 deliverable
  • 2 revisions
  • Captions
Most popular

Content batch

One shoot day, six to eight finished reels for the month ahead, scheduled out.

  • 6–8 deliverables
  • Shot list
  • Captions
  • Staged delivery
Full production

Brand film

Script, multi-day shoot, full post and a set of cutdowns from the same footage.

  • Hero + cuts
  • Grade & mix
  • 3 revisions
  • Both languages

Working with us

What you get
that others don't.

See the dashboard →

A dashboard, not a thread

Your own login showing project status, what's next, who's on it and every finished file — instead of scrolling for the version you approved.

Feedback that lands

Leave notes in one place against the cut they belong to. They reach the editor as tasks, not as messages someone has to remember to read.

We remember your brand

Fonts, colours, pacing, the music you hate — kept on file, so the second project starts where the first one finished.

Files stay yours

Finished deliverables stay available in your dashboard. No chasing us a year later for a re-upload.

Before you ask

Straight answers.

Yes — we shoot nationwide and travel is quoted separately at cost. Post-production always happens in-house in Dhaka. For clients abroad, the whole thing runs remotely through your dashboard.

Two on short-form, three on a full production, and they're written into the brief before we start. Structural changes after picture lock are a new scope and we'll say so rather than quietly absorbing them and resenting it.

You own the finished deliverables outright. Raw footage stays archived with us and is available on request — it's usually terabytes, so we hand it over on a drive rather than a download link.

For the boring parts — transcription, subtitle drafts, first-pass footage organisation. Never for the cut, the grade or anything that goes out without a human deciding it's right. It buys our editors time, it doesn't replace them.

We'll say so on the first call and point you somewhere better. Wrong budget, wrong timeline or wrong fit costs both of us less to find out on day one than in week three.

Tell us what you need

Send the brief, however rough. We'll reply with an approach, a timeline and a number.

Start a project → See the work